As I explained in the original preface to that essay, I read Dante only with a prose translation beside the text.
He would like to convey the pleasures of poetry, not only to a larger audience, but to larger groups of people collectively; and the theatre is the best place in which to do it. Of some poets I can say I learned a great deal from them at a particular stage.
I settle upon a particular emotional situation, out of which characters and a plot will emerge. It may be that I am indebted to Baudelaire chiefly for half a dozen lines out of the whole of Fleurs du Mal… I may seem to you very far from Dante.
I think that from Baudelaire I learned first, a precedent for the poetical possibilities, never developed by any poet writing in my own language, of the more sordid aspects of the modern metropolis, of the possibility of the fusion between the sordidly realistic and the phantasmagoric, the possibility of the juxtaposition of the matter-of-fact and the fantastic.
In spite of the eternal torture not one of them will ever remit of their sins or desire to be with God, and thus are consigned to suffering forever. One project he had in mind was writing a play in verse, using some of the rhythms of early jazz.
One is the two distinct types of suffering which we find evidenced in either. Poems —, material Eliot never intended to have published, which appeared posthumously in We must return to the question of poetic belief.
That is one lesson: He studied philosophy at Harvard College from toearning his bachelor's degree after three years, instead of the usual four. It reaches out like a clear signal to the reader. Byhe had completed a doctoral dissertation for Harvard on "Knowledge and Experience in the Philosophy of F.
IN his critical work Mr. And now it is twenty years since I set down all that my meagre attainments qualified me to say about Dante. Richards has recently commented on the decay of belief ; has indicated a golden future when poetry shall have abandoned all claim upon belief ; and has even con- gratulated Mr.
Other languages are more localized: His subject matter also became more focused on Eliot's spiritual concerns and his Christian faith. Eliot said he found Joyce arrogant—Joyce doubted Eliot's ability as a poet at the time—but the two soon became friends, with Eliot visiting Joyce whenever he was in Paris.
From this background, the Quartets end with an affirmation of Julian of Norwich: They certainly have no relation to poetry. Of some great poets, and of some great English poets especially, one can say that they were privileged by their genius to abuse the English language, to develop an idiom so peculiar and even eccentric, that it could be of no use to later poets.
Out of darkness, Eliot offers a solution: Later poets must find something else to do, and be content if the things left to do are lesser things. That, in fact, the business of the poet was to make poetry out of the unpoetical; that the poet, in fact, was committed by his profession to turn the unpoetical into poetry.
Charles Whibley recommended T. We draw a strict boundary between belief and understanding. In a private paper written in his sixties, Eliot confessed:.
"Dante and T. S.
Eliot: Poet as Conscience of the Age" T. S. Eliot in several writings and poems acknowledges a deep appreciation for and influence from Dante and The Divine Comedy. T.S. Eliot is considered one of the greatest writers of the twentieth century and his poetry was greatly influenced by Dante Alighieri.
Eliot. T. S. Eliot, Dante (2nd edn., London, ) In my own experience of the appreciation of poetry I have always found that the less I knew about the poet and his work, before I began to read it, the better. At least, it is better to be spurred to acquire scholarship because you enjoy the poetry, than to suppose that you enjoy the poetry.
T. S. Eliot's appreciation for Dante Alghieri's Divine Comedia is not a scholar's appreciation but a poet's, as one to another. Eliot in several talks and essays throughout his academic and literary career consistently referred to the majesty of Dante's masterpiece, finding no other poet "whom I could apply continually, for many purposes, and with much profit.".
Eliot essay dante - Think 24 7 - Content ResultsCompare Results · Education Answers · Most Popular · Quality AdviceService catalog: Compare Courses, Exam Results, Local Schools, Advice, Online Courses. The poem's structure was heavily influenced by Eliot's extensive reading of Dante and refers to a number of literary works, Also important to New Criticism was the idea—as articulated in Eliot's essay "Hamlet and His Problems"—of an "objective The Letters of T.
S. Eliot, edited by Valerie Eliot and John Haffenden, Volume 7:T s eliot essay dante